I only spoke to Dominque Trenier once. I called him in an attempt to land a spot for a drummer friend of mine in D’angelo’s band. It was a good chat and I was left with the strong possibility that it might happen. I’d speak to D’angelo directly a couple of times before the near-certainty faded in to a not-gonna-happen. It was a little consolation that I wasn’t the only one this happened to. At the time, the business side of the singer’s act was a little chaotic, but the likely wasn’t Trenier’s doing. If he hadn’t been around, D’angelo’s early career certainly wouldn’t have been as iconic and memorable as it was.
It was Trenier’s idea for the singer to strip down for the “Untitled (How Does it Feel)” video, which saved his second album, “VooDoo,” which Trenier executive produced. Audiences were left with an enduring image of the singer, naked from the waist up, which wouldn’t be replaced for years. Trenier didn’t abandon his artist during his struggles with substance abuse, but he was eventually separated from in 2005 when he stopped communicating with much of his friends and family as his decent continued, according to Spin magazine.
Treneir’s contribution to D’angelo’s career was invisible to casual fans, but that’s how good manager operates. When D’angelo finally released his third album (“Black Messiah”) in 2015, it was bereft that invisible touch that guided his previous efforts. The cover lacked his picture. There would be no official videos. (No, this doesn’t count.) The album isn’t even credited to “D’angelo.” Good managers take care of the details and make things happen. If they do their job right, you might notice notice they’re around, until they aren’t.